African Literary Debates Trending on X

 

By Ayomipo Akorede 

Radio in those days used to be called "asoro ma gbe si" in Yoruba. It's not so these days anymore. With the evolvement of complimentary technology like the telephone and internet, responses are quick, reactions are swift! For books, it's a little different. Whether it’s questions on the value of our writers and their works, or the nature of criticism, the way that we approach literature has long been the subject of heated debates in many circles.

As of April 2025, several prominent debates are shaping African literary discourse on X (formerly Twitter), reflecting the evolving landscape of literature and its intersection with societal issues, sharing of information and the mobilisation of grassroots movements.

Number one is Chimamanda Ngozi Adichie’s return and the “Dream Count” discourse. To be frank,the release of Chimamanda Ngozi Adichie’s first novel in over a decade, "Dream Count", has ignited widespread discussions. While many celebrate her return and the novel's exploration of contemporary Nigerian life, others engage in debates over her past comments on feminism and transgender issues. These discussions have led to the resurgence of the term “Daughters of Chimamanda,” used both in admiration and critique, highlighting the complexities of her influence on African feminism and literature.

Number two is the impact of digital platforms and the evolution of African literature. No doubt, the rise of digital platforms has transformed how African literature is produced and consumed. Scholars like Adeoba have examined how African Twitter users engage in literary expressions through digital means, leading to a broadened understanding of genres and audiences. This "digital turn" has sparked conversations about the legitimacy and recognition of online literary forms within traditional literary circles.

The third is Ikhide R. Ikheloa’s critique on accessibility of African literature. Having raised concerns, he noted that many young Africans cannot afford books and instead turn to social media for content. His view emphasizes the need for the literary community to address economic barriers and adapt to changing consumption patterns to remain relevant and inclusive.

The fourth one is Dele Farotimi’s legal battle and free speech concerns

The arrest and legal proceedings against Nigerian author and activist Dele Farotimi, following allegations of defamation, facilitated by Afe Babalola, in his book "Nigeria and Its Criminal Justice System," have sparked debates on freedom of expression. The #FreeDeleFarotimiNow campaign has gained momentum on social media, with discussions focusing on the role of literature in critiquing societal structures and the implications of legal actions against writers.

And lastly, there is the African literature and identity discourse championed by Teju Cole, a Nigerian writer and photographer. He argues that there's no such thing as African literature, suggesting that categorization can be limiting. He emphasizes the importance of cosmopolitanism in shaping literary works.

These debates underscore the dynamic nature of African literature and its entwinement with digital innovation, societal challenges, and the ongoing quest for inclusivity and freedom of expression.